Cello
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Time Left: 29d 3h 2m
Violin
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The 1696 Stradivarius Cello (4/4) #370 Full Oil Finish Cello
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Time Left: 16d 1h 2m
Gear4music.com stocks a wide range of Cellos to suit Cellists of all levels and all budgets. Choose from a range of student Cellos, professional Cellos, Cello packages, Yamaha Cellos and electric Cellos. Available in a variety of sizes, shapes and colors from leading manufacturers such as Yamaha, you’re sure to find the right Cello at the right price.
This guys are completely insane. They specialize in metal, specifically Metallica, using only cellos. I knew I shouldn't have given the cello up after grade school.
Rochie/bluză lungă de culoare verde-petrol, deosebit de feminină și plăcută la purtare datorită compoziției integral naturale, de la brandul STRADIVARIUS, care reflectă o perspectivă tinerească în modă. Decolteul este rotund, iar din dreptul bustului (decorat cu o broderie fină și interesantă) este bogat încrețită. Mânecile sunt 3/4, prevăzute deasupra cotului cu cusătura elastică, ceea ce le conferă un aspect ușor bufant și sunt finalizate cu o bandă îngustă. Rochia prezintă, din dreptul bustului, dublura din același material, aceasta finalizându-se în partea inferioară în falduri bogate.
Four musicians playing in the same cello ( Boléro - Maurice Ravel )
Incredible Skillz!!
In the pages of this book, Faber invites us to share the life, the passion, the intrigue, and the incomparable beauty of the world’s most marvelous stringed instruments. From the Hardcover edition.
About this book
“’Tis God gives skill, but not without men’s hands: He could not make Antonio Stradivari’s violins without Antonio.”–George EliotAntonio Stradivari (1644—1737) was a perfectionist whose single-minded pursuit of excellence changed the world of music. In the course of his long career in the northern Italian city of Cremona, he created more than a thousand stringed instruments; approximately six hundred survive. In this fascinating book, Toby Faber traces the rich, multilayered stories of six of these peerless instruments–five violins and a cello–and the one towering artist who brought them into being.Blending history, biography, meticulous detective work, and an abiding passion for music, Faber embarks on an absorbing journey as he follows some of the most prized instruments of all time. Mysteries and unanswered questions proliferate from the outset–starting with the enigma of Antonio Stradivari himself. What made this apparently unsophisticated craftsman so special? Why were his techniques not maintained by his successors? How is it that even two and a half centuries after his death, no one has succeeded in matching the purity, depth, and delicacy of a Stradivarius?In Faber’s illuminating narrative, each of the six fabled instruments becomes a character in its own right–a living entity cherished by artists, bought and sold by princes and plutocrats, coveted, collected, hidden, lost, copied, and occasionally played by a musician whose skill matches its maker’s.Here is the fabulous Viotti, named for the virtuoso who enchanted all Paris in the 1780s, only to fall foul of the French Revolution. Paganini supposedly made a pact with the devil to transform the art of the violin–and by the end of his life he owned eleven Strads. Then there’s the Davidov cello, fashioned in 1712 and lovingly handed down through a succession of celebrated artists until, in the 1980s, it passed into the capable hands of Yo-Yo Ma. From the salons of Vienna to the concert halls of New York, from the breakthroughs of Beethoven’s last quartets to the first phonographic recordings, Faber unfolds a narrative magnificent in its range and brilliant in its detail. “A great violin is alive,” said Yehudi Menuhin of his own Stradivarius. In the pages of this book, Faber invites us to share the life, the passion, the intrigue, and the incomparable beauty of the world’s most marvelous stringed instruments.From the Hardcover edition.
Herzog, “Stradivari's Viols,” 190–191. 26 The modern cello mensur is also set at 7:10 (see Chapter 4). 27 Stewart Pollens, The Violin Forms of Antonio Stradivari (London, 1992), p. 11, plate 20. Herzog identifies this as a viola da ...
About this book
For over 200 years, Antonio Stradivari has been universally regarded as the greatest violin maker who ever lived, yet it is not widely known that he made virtually every kind of bowed- and plucked-string instrument popular in the Baroque period, including lutes, viols, mandolins, guitars, and harps. Stradivari provides a fascinating biography of this legendary maker, based on newly discovered material in church and civic archives, alongside technical descriptions and analyses of many of the maker's workshop materials preserved in the Museo Stradivariano in Cremona, particularly as they relate to extant and lost instruments, baroque stringing and instrument adjustment, and early performance practice. There are separate chapters for each type of instrument, allowing the reader to easily locate information. The book contains tables of measurements of Stradivari's forms and patterns, over 100 black and white photographs and drawings, and colour photographs of 16 of Stradivari's most important violins, violas, and cellos.
Monical, Shapes, 4. 79. Pollens, The Violin Forms, plate 37. 80. This is an area of controversy. Most of Stradivari's extant drawings seem to indicate finished proportions and, given the paucity of extant models for cello necks from ...
About this book
This resource considers the Baroque cello's revival as part of the period instrument movement from the viewpoints of over forty cellists from three generations and four luthiers who have worked on period cellos. What emerges is a nuanced and detailed picture of the cello in the past and present and the varied instruments now played under the label "Baroque cello." Period instruments played with appropriate techniques have become a major presence in classical music in recent decades. For the cello, which changed substantially between the end of the sixteenth and early eighteenth centuries, it is challenging to describe specific traits for certain time periods, let alone how it was played in those periods. By chronicling the searches of over forty top cellists in England, Europe, and North America, the author goes far in revealing the great variety of forms that exist. This is the first study in which the revival of a single period instrument has been considered in such qualified detail and will be of great interest to musicologists, luthiers, and anyone interested in string history.
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Cello - NEW PRICE! 4/4 Glaesel Stradivarius Cello, w/ New Knoll ...
Great deal on a full-size (4/4) handmade Glaesel Stradivarius labeled 1719 reproduction cello with lovely full-bodied sound. Body is spruce and maple, with soli
How to Spot a Stradivarius Cello | eHow.com
Antonio Stradivari is arguably the world's most famous stringed-instrument maker. Born in Italy in 1644, he revolutionized the manufacture of stringed instruments ...
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Live Concert at the Library of Congress in December 2008. Each member of the Harlem Quartet is playing on a Stradivarius instrument for this ...
", 1731) Steven Isserlis, second viola and cello (Stradivarius cello "Feuermann", 1730) Clive Greensmith, cello (Stradivarius cello ...
